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Sampling Workstation

Controllers >MIDI Controllers

Akai's slimline follow-up to their Renaissance hybrid MPC aims to claim some territory from a certain competing machine..

It doesn't seem more than five minutes since I was exploring the hefty chunk of real-estate that is Akai's MPC Renaissance. That next-generation hardware/software MPC has a built-in audio interface and broadcasts on multiple MIDI channels, but for those already happy with their sound card, or for whom portability is paramount, there's now a second, less expensive controller for the same MPC host software. The MPC Studio is sleek, silver and slender, its reduced girth putting it neatly into the laptop-bag zone.

Studio Slimware

Weighing in at around 900g and measuring 284 x 257 x 22mm, the MPC Studio is strikingly flat. Like a supermodel fed on a diet of cress and cocaine, it practically vanishes when viewed side-on. In one sense, this threatens to become a triumph of style over common sense, because the five stunted encoders are never particularly grippable, even though their action is smooth enough. Of course, mapping your favourite VST plug-ins to a mere four Q-Link controls is never going to match the Renaissance's opulence, but it's not as bad as you might think: a quick spin of the Scroll encoder conveniently selects which of the four vertical rows of parameters are live; and the main data encoder is larger and can be turned reliably with a fingertip.

There's hardly any wasted space on the low-profile, brushed-aluminium panel, but the matrix of backlit drum pads grabs the lion's share, leaving a multitude of buttons jostling for what's left. To accommodate the functionality of the much larger Renaissance, the buttons have had to shrink down and huddle together, but with practice you should hit the correct one more often than not. Most buttons include coloured LED-type strips, which helps. Button action is disconcertingly squishy, but is accompanied by a reassuring click.

Unlike that of the Renaissance, the screen can't be tilted to suit different working angles, so a stand of some kind for the entire controller would be a useful accessory. The screen (360 x 96 pixels) is blue and bright, and it responds fairly snappily to the various means provided for updating values. These include the aforementioned Scroll and Q-Link encoders, as well as arrow keys, the data encoder and six soft keys.

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With just a single USB cable connected, you can play the Studio easily from your knee, for that computer-free feeling. The rear panel is super-minimal, but finds room for an on/off switch and a single set of MIDI ports. They aren't standard, though, because the unit isn't deep enough. Instead, Akai have fitted two 3.5mm sockets and included a couple of short conversion leads to translate them into regular five-pin females. Provided you don't misplace them at a vital moment, they should do the job admirably. Also supplied is a red carry case to protect the MPC Studio during transit, but this misses a trick by omitting a compartment for cables. Power is supplied via USB.

Computer Love

Hardly a back panel as such, the rear of the MPC Studio features just a power button, USB port and MIDI I/O on 3.5mm jack sockets.

The Studio, like the Renaissance before it, acts as a controller for host software running on a PC or Mac. If you refer back to the Renaissance review in the February 2013 issue of SOS for the details, we can concentrate here on what came next. Since February this year, the software has continued to advance, the current version being 1.3.1. I'm happy to report that genuine progress has been made, with the biggest fix addressing the most urgent issue. This concerned the way plug-ins were handled, which was badly.

Since 1.3, the software no longer generates separate copies of each plug-in for every sequence, saving resources by the bucketload. Furthermore, the same plug-in can be used on multiple tracks. Indeed, this is the expected behaviour. A new track starts with the same program and plug-in as the previous one. Therefore, if your plan is to work with an entirely new instrument, it's best to select a new program before selecting a new plug-in. Get the order wrong and you're assaulted with warning messages about disrupting earlier tracks. A program is Akai's term for a complete collection of samples, and the MPC can host 128 of them. Since you can put samples on every pad and there are eight banks of pads (A-H) to fill, you have the capacity to build some of the world's most humongous drum kits!

The efficiency upgrades continue with a welcome change to the way tracks are viewed. The MPC has a generous 128 tracks, and although I'm the last person to obsess about tidiness, I really appreciated being able to pack away those that weren't in use. Next, I noticed that the much-requested hardware zoom had been implemented. Using shift and the cursor keys, you can dig deep into the nitty gritty of sample waveforms. Strangely, the Studio's own display doesn't zoom, so you're still forced away from hardware to enter mouse territory. The hardware's display looks capable of zooming. It's larger than that of my Elektron Octatrack, for example, and that copes fine with sample editing.

Turning next to features demanded by users of various legacy MPCs, I can report but can't verify that the import of MPC2000 and 2000XL files has been added. I couldn't test the improved MPC3000 file handling either. At this point, I began to feel a bit left out, because there's a new vintage emulation mode, too — exclusively for MPC Renaissance users. This is 'SP1200 Ring', a reminder of those guilty 12-bit sampling pleasures. It's a pleasure out of bounds to MPC Studio owners, though, because the vintage modes insist on the audio hardware found on the Renaissance.

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Hiding unused tracks in the MPC software. Sometimes it's the little things..Returning to improvements we can all enjoy, this version introduces the option to sample at 16- or 24-bit resolution. Audio export has been fleshed out, too, and now supports export of submixes and of consolidated WAVs from multiple plug-in tracks. This generates samples to be imported into your DAW, but as yet there's no way to dra

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